01. Devant ma nuque
02. Ça m'arrive
03. Idiot cherche village
04. Toujours du vent sur les ponts
05. Faut pas rester là (avec Arnaud Michniak)
06. Le vent ne tournera jamais
07. Le coeur dans le dos
08. On me dit jamais rien à moi
09. Rien dans la culotte
10. S'en sortir pour aller où?
11. Toux de chenil
12. Le fils du soldat inconnu
13. La main froide
Country: France
Genre: Hip Hop, Electronic.
Label: Ici d'ailleursNot easy to talk about this album. Imagine: it's been a year since we dangled Nonstop name in media and allowed Programmien. Indeed, the object is produced by Michniak himself, helped the Den's fire-Diabologum. The titles for download put the mouth water: hip hop nihilistic powerful and surreal. Eat the cake in the disk, and the journey begins. "In front of my neck" starts very strong, a great rhythm and flow just flippant and aggressive Fred Roman, Toulouse accent a gift. "J'paranoïe j'perd an eye, in the heart of my life, my head turns to bite my neck and they returned my office to wank behind my back." "Idiot seeks village" contains many puns felt the corrosive black humor and surreal ("crazy truck brake cons exchange sycamore", "large barbecue burned exchange cons ATV", "ANPE recruits homeless as a man sandwich," "bitch Care would exchange IUD cons wolf trap ", ...) on a background of old school hip hop rhythm. "Do not stay there," THE slap the disc, the big bomb, killing, brutal and nihilistic top neurotic, Arnaud Michniak feat.
The two friends alternately swinging their text, sentence by sentence, a different topic but arranged so that the following sentences are understandable and expected. Roman has a flow just amazing, violent and yelled while Michniak is true to himself, disillusionment and despair. Behind, it hits hard, a huge guitar riff repeating a rhythmic boring. "The wind does not turn", musically spare and very old school, sees Roman releasing his flow with a voice shouting flayed. "The son of the unknown soldier", 7min an imaginary story inspired by Jean-Philippe Teddy, dreamy, musically-Indiano tribal and film, spoken word, piano. Each of the 13 songs has its own identity, its own style, for better (the securities described above) and sometimes for worse: "Always the wind on the bridge" and its rhythmic 80's and the voice that sings like a homeless drunk, clumsy, "it happens" and his instrumentals fictionnesque kitschouille science, "the heart in the back" and his piano poorly controlled, etc .... For the lyrics, it's the same: to navigate between enlightenment and surreal poetic wordplay too easy ("above the sink, the cyclops me a wink," "flowers that j'pensais committed suicide by gathering all alone ", ...), and the taste too strong for the enumeration. "Road movie with crutches" is a disc uneven, alternating saving huge killing, stunning, and cathartic, with songs that perplexed as to their interest in being here. There have been 5 or 6 songs out to have a nearly perfect album. M'enfin is already there is one drive of the year, and this is not the beautiful artwork of the great Stephane Blanquet who play against him!
